Sonatina Flute Vst Download
Sonatina Symphonic Orchestra (SSO) is a free library of sampled orchestral instruments. The original version wascreated by Mattias Westlund in 2011, and quickly earned a following for its excellent quality and wide selection ofinstruments. This repository hosts the ongoing development of the library. Mattias is no longer directly involved(although he has given his permission for continuing to develop it) and has not personally reviewed all of the changes.In other words, don't email him with questions about it!
The instruments are packaged in SFZ format. They can be used with any compatible player, such asLinux Sampler, Sforzando, andARIA Player.
- Nov 23, 2016 The entire Sonatina Orchestra created by Mattias Westlund is available as a single Rompler Module. This lets you have a single VST and choose which instrument and articulation you want to use.
- Sonatina Violin is a sampled violin. Samples were edited from the Sonatina Symphonic Orchestra sample library. You can switch between 9 groups: Solo Violin. 1st Violins Sustain. 1st Violins Sustain.
Instruments
SSO includes the following instruments and articulations:
Sonatina Flute: read more / download: Sonatina Flute is a set of sampled flutes. Samples were edited from the Sonatina Symphonic Orchestra sample library. You can switch between 5 groups: Flute, Flutes Sustain, Flutes Staccato, Alto Flute and Piccolo. Jun 08, 2019 BigCat Sonatina Orchestra Module VSTi - Discover Samples, Loops, Midi Sounds, Music Production Plugins, Construction/Drum Kits, Nexus Presets, FL Studio Templates, Soundpacks & more on Producer Bundle. 2018-3-31 Sonatina Symphonic Orchestra. Sonatina Symphonic Orchestra (SSO) is a free library of sampled orchestral instruments. The original version was created by Mattias Westlund in 2011, and quickly earned a following for its excellent quality and wide selection of instruments. What better way to add some embellishments to your songs than with an orchestral plugin? Even better if its free, right? Orchestral samples, and samples in general, have come a long way. They were practically unusable back in the day, but now, even though you can hear the difference between a sample software and the The Best 21 Free Orchestral VST/AU Plugins That Sound Great!
Strings
| Instrument | Articulations |
|---|---|
| 1st Violins | Sustain, Marcato, Staccato, Pizzicato, Tremolo |
| 2nd Violins | Sustain, Marcato, Staccato, Pizzicato, Tremolo |
| Violas | Sustain, Marcato, Staccato, Pizzicato |
| Cellos | Sustain, Marcato, Staccato, Pizzicato |
| Basses | Sustain, Marcato, Staccato, Pizzicato |
| Solo Violin | Sustain (non-looped, looped, decay) |
| Solo Violin 2 | Sustain, Sustain non-vibrato, Marcato, Marcato non-vibrato, Spiccato, Pizzicato, Tremolo |
| Solo Cello | Sustain (non-looped, looped, decay) |
Brass
| Instrument | Articulations |
|---|---|
| Trumpets | Sustain (looped, non-looped), Marcato (looped, non-looped), Staccato |
| French Horns | Sustain (looped, non-looped), Marcato (looped, non-looped), Staccato |
| Trombones | Sustain (looped, non-looped), Marcato (looped, non-looped), Staccato |
| Tuba | Sustain (looped, non-looped), Marcato (looped, non-looped), Staccato |
| Solo Trumpet | Sustain (non-looped, looped, decay) |
| Solo French Horn | Sustain (non-looped, looped, decay) |
| Solo Tenor Trombone | Sustain (non-looped, looped, decay) |
| Solo Bass Trombone | Sustain (non-looped, looped, decay) |
Woodwinds
| Instrument | Articulations |
|---|---|
| Flutes | Sustain (looped, non-looped), Marcato (looped, non-looped), Staccato |
| Oboes | Sustain (looped, non-looped) |
| Clarinets | Sustain (looped, non-looped) |
| Bassoons | Sustain (looped, non-looped) |
| Solo Piccolo | Sustain (non-looped, looped, decay) |
| Solo Flute | Sustain (non-looped, looped, decay) |
| Solo Alto Flute | Sustain (non-looped, looped, decay) |
| Solo Cor Anglais | Sustain (non-looped, looped, decay) |
| Solo Oboe | Sustain (non-looped, looped, decay) |
| Solo Clarinet | Sustain (non-looped, looped, decay) |
| Solo Bass Clarinet | Sustain (non-looped, looped, decay) |
| Solo Bassoon | Sustain (non-looped, looped, decay) |
| Solo Contrabassoon | Sustain (non-looped, looped, decay) |
Pitched Percussion
| Instrument | Variations |
|---|---|
| Timpani | Right hand hits, Left hand hits, Rolls |
| Glockenspiel | - |
| Xylophone | - |
| Chimes | - |
Percussion
| Instrument | Variations |
|---|---|
| Bass Drum | Soft hit, Hard hit |
| Snare Drum | Left hand hit, Right hand hit, Roll |
| Cymbals | Hit, 4 Rolls |
| Conga | Muffled, Open, Slap |
| Bar Chimes | 3 Variations |
| Tamtam | 3 Variations |
| Triangle | Mute, Half-open, Open, Roll |
| Tambourine | Soft hit, Hard hit, Shake, Roll |
| Wood Blocks | High, Low |
| Cabasa | 2 Variations |
| Shaker | 3 Variations |
| Sleigh Bells | Soft hit, Hard hit |
| Castanets | 2 Variations |
| Ratchet | - |
| Vibraslap | - |
| Bell Tree | - |
Miscellaneous
| Instrument | Articulations |
|---|---|
| Grand Piano | - |
| Concert Harp | - |
| Chorus | Male (looped, non-looped), Female (looped, non-looped) |
Instruments with multiple articulations are packaged in two ways. Use whichever one is more convenient for yourworkflow.
- As a separate SFZ instrument for each articulation.
- As a keyswitched instrument with all articulations in a single file. You can switch between articulations by pressingkeys outside the range of the instrument.
Snota
Most solo instruments have three versions:
- A non-looped version that simply plays each sample once. This gives the most natural sound, but sets a strict limiton how long any note can be held.
- A looped version that can be held indefinitely, but sounds less natural than the non-looped version.
- A looped version that adds a gradual decay and gentle modulation. This tries to give a more natural sound than thesimple looped version, but still not place a strict limit on how long notes can be held.
There are two different solo violin instruments. One has the standard three versions listed above. The other has manymore articulations, but does not offer a looped version. The sustained notes are held long enough that the lack oflooping is usually not a problem.
Marcato articulations use the mod wheel (MIDI control channel 1) to adjust the strength of the initial attack. Thislets you smoothly blend between a gentle sustain and a strong marcato.
Technical Details
All samples are stereo, 16 bit, 44 kHz. Most instruments are sampled in minor 3rds. Staccato and pizzicatoarticulations use 2x round robin.
Most samples have only a small amount of reverb baked into them, so adding a realistic reverb is important for producinga good overall sound. Given that the samples came from a variety of different sources, this is also important formaking them sound like a unified orchestra.
License
SSO may be used and distributed under the terms of theCreative Commons Sampling Plus 1.0 license.
Mattias Westlund included the following statement with SSO 1.0 regarding the sources and licensing of the samples:
SSO was created from the following free/CC-licensed/public domain instrument samples:The University of Iowa MIS,MSLP,Philharmonia samples,OLPC project,The Complete K2000,ldk1609 violin,stamperadam Kelon Xylophone,Corsica_S Cello Pizzicato,davidjwoll cymbal rolls,Satoration Castanets,Thores Triangle, Mystified timpani, Eddie's English Horn and a variety of classic soundfonts by Campbell Barton,Nando Florestan, andEthan Winer.
In the case of a few very old soundfonts I have no idea who the original authors were or what licensing might apply.But as these files have been modified by different people and included in countless GM banks and other soundfontcompilations over the last decade, I'm assuming that they are to be considered public domain or at least free to usefor sampling projects.
I have done my very best to avoid samples of questionable legality, but as it is impossible for me to know the exactorigin of everything (i.e. I have no way of knowing if a soundfont labeled as 'public domain' isn't actually sampledfrom a proprietary source), I would appreciate if you let me know if you find anything fishy.
Related Projects
Sonatina Violin Vst Download
SSO was the first high quality, free orchestral library. More recently, a few others have become available. Each onehas its own sound, so try them all out.
REDTRON_SE is a Special Edition of the REDTRON_400.
This VST plug-in uses the Taijiguy’s Mellotron samples (taken from a 1973 Mellotron M400S – Serial #500).
The samples have been cleaned (not too much) by removing an annoying 60Hz hum and some unwanted “clicks” and “pops” here and there.
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Features :
- Nine sound types : MKII Flute, MKII 3 Violins, M400 Cello, MKII Brass, M400 Combined Choir, M400 String Section, M400 Woodwinds, M300A Violins, M300B Violin.
- No loops : like the original Mellotron, each sound is eight seconds long with, in many cases, “the bad endings”.
- Exclusive “Mellotronic Click Switch” (MCS).
On real Mellotrons, “Click” can be heard at the beginning of a note, when the tape comes in contact with the replay head.
On REDTRON_SE, these “clicks ” are randomly generated when you hit a key : you don’t hear twice the same and they can appear on any note.
A rotary knob allows you to control the effect intensity (of course, you can also completely disable it ).
Note : this function is inactive when the attack parameter is set to any value different from zero.
Sonatina Flute Vst
- Layer (two sounds A & B) and split possibilities (octave shift).
- Independent parameters for sound A & B :
- Volume, Tone, Pan, Tune, Reverb, Delay, Attack & Release, Octave & Note parameters.
- Delay effect (Amount, Time, Feedback & Pan parameters).
- Reverb effect (Mix, Width, Size & Damp parameters).
- Full MIDI automation.
- Global Volume control.
- Global Tone control.
- Global Pitch control.
- Freeware.